をものともせずに
N1 GRAMMAR 0s study 📖 0 today
o mono tomo sezuni
in defiance; not losing to/worrying about ~
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🃏 Flashcard
をものともせずに
o mono tomo sezuni
Tap to reveal usage
in defiance; not losing to/worrying about ~
N1
Tap to test your recall · +10 XP
📊 Pattern Stats
JLPT Level N1
Advanced · Literary, rhetorical & rare forms
Reading o mono tomo sezuni
Post ID 51342
Patterns today 0
0 / 10 daily goal
📝 Usage Notes

in defiance; not losing to/worrying about ~

🎯 Quick Quiz
What does this grammar pattern mean or do?
をものともせずに
📚 How to Master This Pattern
🔊
Say It Aloud
Press Hear it and repeat をものともせずに three times. Feel the rhythm — grammar patterns have a natural flow.
🃏
Flip Before Reading
Always try to recall the usage before flipping the card. Struggle = learning. Every failed recall makes the next one stick harder.
✍️
Write Two Sentences
Compose two original sentences using をものともせずに. One about yourself, one about something you see right now.
Spaced Review
Save this pattern and revisit at 10 min, 1 day, 3 days. Production (writing) beats recognition for grammar.
❓ Frequently Asked Questions
What does the grammar pattern をものともせずに mean?
In defiance; not losing to/worrying about ~
What JLPT level is をものともせずに?
JLPT N1 — Advanced · Literary, rhetorical & rare forms. To pass JLPT N1 you need to recognise and use this pattern correctly in reading and listening sections.
How do you use をものともせずに in a sentence?
Attach をものともせずに (o mono tomo sezuni) to the appropriate verb or noun form as described in the usage notes. Then try writing two original sentences — one about yourself and one about something around you.
Is をものともせずに formal or casual Japanese?
をものともせずに is used in formal or written contexts. You will see it mainly in written texts, news, business Japanese and academic contexts.
How can I remember をものともせずに long-term?
Use the flashcard on this page for active recall — see the pattern, reconstruct the usage from memory, then flip. Follow with the 4-choice quiz to distinguish it from similar patterns. Review at 10 minutes, 1 day and 3 days (spaced repetition). Writing two original sentences at each review session is the fastest way to reach production-level mastery.