ないものでもない
🃏 Flashcard
ないものでもない
nai mono demo nai
Tap to reveal usage
is not entirely impossible
N1
Tap to test your recall · +10 XP
📊 Pattern Stats
JLPT Level
N1
Advanced · Literary, rhetorical & rare forms
Reading
nai mono demo nai
Post ID
51279
Patterns today
0
0 / 10 daily goal
📝 Usage Notes
is not entirely impossible
🎯 Quick Quiz
What does this grammar pattern mean or do?
ないものでもない
📚 How to Master This Pattern
Say It Aloud
Press Hear it and repeat ないものでもない three times. Feel the rhythm — grammar patterns have a natural flow.
Flip Before Reading
Always try to recall the usage before flipping the card. Struggle = learning. Every failed recall makes the next one stick harder.
Write Two Sentences
Compose two original sentences using ないものでもない. One about yourself, one about something you see right now.
Spaced Review
Save this pattern and revisit at 10 min, 1 day, 3 days. Production (writing) beats recognition for grammar.
🔗 More JLPT N1 Patterns
← Previous
ないまでも
not to say; does not reach the level of~
Next →
ないものか /ないものだろうか
isn't there; can’t we…?; can’t I…?
❓ Frequently Asked Questions
What does the grammar pattern ないものでもない mean?
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Is not entirely impossible
What JLPT level is ないものでもない?
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JLPT N1 — Advanced · Literary, rhetorical & rare forms. To pass JLPT N1 you need to recognise and use this pattern correctly in reading and listening sections.
How do you use ないものでもない in a sentence?
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Attach ないものでもない (nai mono demo nai) to the appropriate verb or noun form as described in the usage notes. Then try writing two original sentences — one about yourself and one about something around you.
Is ないものでもない formal or casual Japanese?
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ないものでもない is used in formal or written contexts. You will see it mainly in written texts, news, business Japanese and academic contexts.
How can I remember ないものでもない long-term?
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Use the flashcard on this page for active recall — see the pattern, reconstruct the usage from memory, then flip. Follow with the 4-choice quiz to distinguish it from similar patterns. Review at 10 minutes, 1 day and 3 days (spaced repetition). Writing two original sentences at each review session is the fastest way to reach production-level mastery.