ても差し支えない
🃏 Flashcard
ても差し支えない
temo sashitsukaenai
Tap to reveal usage
can ~; it’s okay if ~ (compromise)
N1
Tap to test your recall · +10 XP
📊 Pattern Stats
JLPT Level
N1
Advanced · Literary, rhetorical & rare forms
Reading
temo sashitsukaenai
Post ID
51382
Patterns today
0
0 / 10 daily goal
📝 Usage Notes
can ~; it’s okay if ~ (compromise)
🎯 Quick Quiz
What does this grammar pattern mean or do?
ても差し支えない
📚 How to Master This Pattern
Say It Aloud
Press Hear it and repeat ても差し支えない three times. Feel the rhythm — grammar patterns have a natural flow.
Flip Before Reading
Always try to recall the usage before flipping the card. Struggle = learning. Every failed recall makes the next one stick harder.
Write Two Sentences
Compose two original sentences using ても差し支えない. One about yourself, one about something you see right now.
Spaced Review
Save this pattern and revisit at 10 min, 1 day, 3 days. Production (writing) beats recognition for grammar.
🔗 More JLPT N1 Patterns
← Previous
てもどうにもならない
it's no use; can't do anything
Next →
ても知らない
if continue... you'll end up / I don't care
❓ Frequently Asked Questions
What does the grammar pattern ても差し支えない mean?
▼
Can ~; it’s okay if ~ (compromise)
What JLPT level is ても差し支えない?
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JLPT N1 — Advanced · Literary, rhetorical & rare forms. To pass JLPT N1 you need to recognise and use this pattern correctly in reading and listening sections.
How do you use ても差し支えない in a sentence?
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Attach ても差し支えない (temo sashitsukaenai) to the appropriate verb or noun form as described in the usage notes. Then try writing two original sentences — one about yourself and one about something around you.
Is ても差し支えない formal or casual Japanese?
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ても差し支えない is used in formal or written contexts. You will see it mainly in written texts, news, business Japanese and academic contexts.
How can I remember ても差し支えない long-term?
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Use the flashcard on this page for active recall — see the pattern, reconstruct the usage from memory, then flip. Follow with the 4-choice quiz to distinguish it from similar patterns. Review at 10 minutes, 1 day and 3 days (spaced repetition). Writing two original sentences at each review session is the fastest way to reach production-level mastery.