Historic site
Chichu Art Museum
地中美術館 · ちちゅうびじゅつかん
Overview The Chichu Art Museum (地中美術館, Chichū Bijutsukan) is a museum built directly into a southern portion of the island of Naoshima in Kagawa Prefecture, Japan. Its name transla
The kanji in this name 漢字
Every character links to its full entry — readings, stroke order, and the words it appears in.
Overview
The Chichu Art Museum (地中美術館, Chichū Bijutsukan) is a museum built directly into a southern portion of the island of Naoshima in Kagawa Prefecture, Japan. Its name translates literally as "art museum in the earth," reflecting its construction, which places the galleries largely below ground level. The museum was designed by architect Tadao Ando and opened to the public on July 18, 2004.
The museum is part of the Benesse Art Site Naoshima, a cluster of art venues spread across the island. It is also a member of The Japanese Council of Art Museums. The building's design integrates natural light into subterranean spaces, a signature approach in Ando's work.
History
The Chichu Art Museum opened on July 18, 2004, during the Heisei period (1989–2019). The project was conceived as part of the ongoing development of the Benesse Art Site Naoshima, which had been transforming the island into a destination for contemporary art since the late 1980s. Tadao Ando, who had already designed earlier structures for the site, was commissioned to create a museum that would house permanent installations by major international artists.
The museum was built into a hillside on the southern part of Naoshima, with much of its volume excavated from the earth. The construction deliberately avoided disrupting the natural landscape, and the completed structure rises only partially above ground. The opening in 2004 added a permanent venue to the island's art offerings, distinct from the seasonal exhibitions and installations found elsewhere on Naoshima.
What Stands There Today
The museum's permanent collection features works by three artists: Claude Monet, James Turrell, and Walter De Maria. Monet's series of Water Lilies paintings is displayed in a dedicated gallery designed to control natural light, with walls finished in white plaster and a floor of small marble tiles. The gallery's lighting conditions shift with the weather and time of day, altering the appearance of the canvases.
James Turrell's installations use light as their primary material, with rooms that manipulate perception through carefully calibrated illumination. Walter De Maria's large-scale work, an installation of a granite sphere and gilded wooden rods, occupies a long, stepped hall. The building itself, with its concrete walls, geometric forms, and open courtyards, is considered a work of architecture in its own right.
The museum limits visitor numbers to manage the experience of the light-sensitive galleries. Visitors follow a set route through the spaces, and photography is restricted in several areas. The building's underground design means that much of the structure is invisible from the exterior, with only entrances and light wells visible against the hillside.
The Name in Japanese
The Japanese name is 地中美術館, read in kana as ちちゅうびじゅつかん, and in romaji as Chichū Bijutsukan.
The name breaks down into three components:
- 地 (ち, chi) — "earth" or "ground." This kanji represents the ground beneath one's feet, and in this word it signals the museum's subterranean setting.
- 中 (ちゅう, chū) — "middle" or "inside." When combined with 地, it forms the compound 地中 (ちちゅう, chichū), meaning "in the earth" or "underground." The reading shifts from the standalone chi to chichū when the two kanji are joined.
- 美術館 (びじゅつかん, bijutsukan) — "art museum." This is itself a compound: 美 (び, bi) means "beauty," 術 (じゅつ, jutsu) means "art" or "technique," and 館 (かん, kan) means "building" or "hall." Together they form the standard Japanese word for an art museum.
The full name, 地中美術館, thus reads as "art museum in the earth," a description that matches the building's actual design. The choice of 地中 rather than a more common word like 地下 (ちか, chika, "underground") is deliberate: 地下 typically refers to a basement or subway level, while 地中 evokes being surrounded by earth itself, as the museum's galleries are.
Visiting and Context
The Chichu Art Museum is located on Naoshima, an island in the Seto Inland Sea that is part of Kagawa Prefecture. The island is accessible by ferry from the ports of Takamatsu and Uno. The museum sits on the southern portion of the island, within the Benesse Art Site Naoshima, which also includes hotels, outdoor sculptures, and other art venues.
The museum's coordinates place it at 34.4497583, 133.9858028. Visitors typically reach the site by shuttle bus from the island's ferry terminal, as the museum is a short ride from the main port area. The Benesse Art Site Naoshima operates several facilities across the island, and the Chichu Art Museum is one of its central attractions.
The museum was named after the concept of subterranea, reflecting its underground construction. Its opening in 2004 came in the 16th year of the Heisei era, a period marked by significant investment in cultural infrastructure across Japan. The museum's design and permanent collection have made it a destination for both art enthusiasts and architecture students, and it remains one of the most visited sites on Naoshima.
Around the same time 同時代
- 2003 Mori Art Museum 森美術館
- 1995 Museum of Contemporary Art Tokyo 東京都現代美術館
Topics タグ
Common questions よくある質問
How do you write Chichu Art Museum in Japanese?
Chichu Art Museum is written 地中美術館 in Japanese, read ちちゅうびじゅつかん.
When did Chichu Art Museum take place?
Chichu Art Museum is dated to 2004. That falls in the Heisei period (1989 – 2019).
Which Japanese historical period does Chichu Art Museum belong to?
Chichu Art Museum belongs to the Heisei period, which ran 1989 – 2019.
What kanji are used in 地中美術館?
The name uses 5 kanji: 地, 中, 美, 術, 館.