てもしょうがない
N3 GRAMMAR 0s study 📖 0 today
temo shou ga nai
there's no point to~; it's no use to~
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🃏 Flashcard
てもしょうがない
temo shou ga nai
Tap to reveal usage
there's no point to~; it's no use to~
N3
Tap to test your recall · +10 XP
📊 Pattern Stats
JLPT Level N3
Intermediate · Expressing nuance & contrast
Reading temo shou ga nai
Post ID 50947
Patterns today 0
0 / 10 daily goal
📝 Usage Notes

there's no point to~; it's no use to~

🎯 Quick Quiz
What does this grammar pattern mean or do?
てもしょうがない
📚 How to Master This Pattern
🔊
Say It Aloud
Press Hear it and repeat てもしょうがない three times. Feel the rhythm — grammar patterns have a natural flow.
🃏
Flip Before Reading
Always try to recall the usage before flipping the card. Struggle = learning. Every failed recall makes the next one stick harder.
✍️
Write Two Sentences
Compose two original sentences using てもしょうがない. One about yourself, one about something you see right now.
Spaced Review
Save this pattern and revisit at 10 min, 1 day, 3 days. Production (writing) beats recognition for grammar.
❓ Frequently Asked Questions
What does the grammar pattern てもしょうがない mean?
There's no point to~; it's no use to~
What JLPT level is てもしょうがない?
JLPT N3 — Intermediate · Expressing nuance & contrast. To pass JLPT N3 you need to recognise and use this pattern correctly in reading and listening sections.
How do you use てもしょうがない in a sentence?
Attach てもしょうがない (temo shou ga nai) to the appropriate verb or noun form as described in the usage notes. Then try writing two original sentences — one about yourself and one about something around you.
Is てもしょうがない formal or casual Japanese?
てもしょうがない is used in both casual and polite contexts. It appears frequently in everyday conversation, textbooks, and simple written materials.
How can I remember てもしょうがない long-term?
Use the flashcard on this page for active recall — see the pattern, reconstruct the usage from memory, then flip. Follow with the 4-choice quiz to distinguish it from similar patterns. Review at 10 minutes, 1 day and 3 days (spaced repetition). Writing two original sentences at each review session is the fastest way to reach production-level mastery.