に越したことはない
N2 GRAMMAR 0s study 📖 0 today
ni koshita koto wa nai
it’s best that, nothing better than
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🃏 Flashcard
に越したことはない
ni koshita koto wa nai
Tap to reveal usage
it’s best that, nothing better than
N2
Tap to test your recall · +10 XP
📊 Pattern Stats
JLPT Level N2
Upper-Intermediate · Academic & formal usage
Reading ni koshita koto wa nai
Post ID 51088
Patterns today 0
0 / 10 daily goal
📝 Usage Notes

it’s best that, nothing better than

🎯 Quick Quiz
What does this grammar pattern mean or do?
に越したことはない
📚 How to Master This Pattern
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Say It Aloud
Press Hear it and repeat に越したことはない three times. Feel the rhythm — grammar patterns have a natural flow.
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Flip Before Reading
Always try to recall the usage before flipping the card. Struggle = learning. Every failed recall makes the next one stick harder.
✍️
Write Two Sentences
Compose two original sentences using に越したことはない. One about yourself, one about something you see right now.
Spaced Review
Save this pattern and revisit at 10 min, 1 day, 3 days. Production (writing) beats recognition for grammar.
❓ Frequently Asked Questions
What does the grammar pattern に越したことはない mean?
It’s best that, nothing better than
What JLPT level is に越したことはない?
JLPT N2 — Upper-Intermediate · Academic & formal usage. To pass JLPT N2 you need to recognise and use this pattern correctly in reading and listening sections.
How do you use に越したことはない in a sentence?
Attach に越したことはない (ni koshita koto wa nai) to the appropriate verb or noun form as described in the usage notes. Then try writing two original sentences — one about yourself and one about something around you.
Is に越したことはない formal or casual Japanese?
に越したことはない is used in formal or written contexts. You will see it mainly in written texts, news, business Japanese and academic contexts.
How can I remember に越したことはない long-term?
Use the flashcard on this page for active recall — see the pattern, reconstruct the usage from memory, then flip. Follow with the 4-choice quiz to distinguish it from similar patterns. Review at 10 minutes, 1 day and 3 days (spaced repetition). Writing two original sentences at each review session is the fastest way to reach production-level mastery.